Don’t miss your chance to see the project we’ve been working on for over a year! We’re very proud of what we’ve made and would love for you to get a chance to see it.
Join us Thursday, June 25th for Opening Night followed by a festive gathering at a local bar (free drinks!) OR come Friday June 26th for PL115 Night and catch a rockin party (more free drinks!!) afterward.
And if you can’t make it either of those days, do grab your tickets online today — seating is extremely limited and tickets are going fast. Plus if you buy online before June 25th you can get your tickets for $12 instead of the normal $15. Just use the code ‘chocolate‘ when you buy online.
Check out snippets from our 2008 workshop of Caucasian Chalk Circle and get yourself psyched up for our latest production of Brecht’s classic — opening June 25th at The Chocolate Factory.
“Halfnight’s ability to inspire audiences…simultaneously impresses and fascinates. The palpable tension in Kristjan Thor’s staging…makes the production continually engrossing.”
a new play written by longtime collaborator Ashlin Halfnight (God’s Waiting Room), directed by Kristjian Thor and co-produced with our friends at Electric Pear Productions.
April 16 – May 2
at The Wild Project
195 East 3rd Street (between A & B)
Monday – Saturday at 8pm Tickets are $18
We are pleased to report that Time Out New York has selected Mourn the Living Hector as a Critics Pick for this year’s New York International Fringe Festival, recommended our show on their home page, and given it a four star review!
We’ve only got 3 shows left and tickets are selling out, so if you haven’t gotten a chance to see this great new play be sure to get your tickets today!
PL115 presents Paul Cohen’s Mourn the Living Hector as part of the New York International Fringe Festival.
Winners of two FringeNYC Excellence Awards, PL115 returns to investigate wartime violence on the home front, linking the Trojan hero’s last day with the home-leave of an American Marine; a comedic tragedy of ambient violence, failed connections, and unexpected happy-endings.
Come see the musical stylings of Performance Lab 115 as we continue to explore the material of Bertolt Brecht’s Caucasian Chalk Circle following our six month residency with Mabou Mines. Interweaving found text, original music and inspirations from CCC, PL115 invites you to sip a cocktail and enjoy Brecht’s rebuttal to the Broadway musical.
With mentorship, space, and funding from the Mabou Mines/SUITE Resident Artist Program, Performance Lab 115 has spent the last five months using their unique actor-driven process to forge a new visceral translation of Bertolt Brecht’s epic tale of war and responsibility.
In our stripped down, decidedly 21st century interpretation, two clowns invite us into the story where Grushe and Azdak play out their choices on a blasted post-war landscape strewn with the relics of an analog age.
